Back to Wonderfulmachine.com »

Posts

Producing Budweiser’s Band of Buds

Tuesday May 8th, 2012

By Craig Oppenheimer

Momentum Worldwide contacted us recently about a big project they were working on for Budweiser. They had conceived a clever promotion called Band of Buds which entailed a series of gameshow-like competitions in 18 cities around the country, with beer-loving contestants vying for a chance to go to Las Vegas to compete for $100,000. Of course, Momentum needed photos to document the ensuing mayhem for a social media site that they had created – an that’s where we came in.

Drew Reynolds

Since many of the events would be happening simultaneously, they would need a lot of photographers to cover them all. They came to Wonderful Machine looking for recommendations, giving us a list of all the cities and dates. We then put together a list of photographers we knew would be up for the challenge. But our involvement didn’t end there. Momentum then asked us to assume the role of project manager. Since they had their hands full with a lot of other details, they appreciated that we could negotiate all the contracts, juggle all the schedules, communicate the objectives and creative direction to each photographer and handle all the billing as well. Momentum seemed to really appreciate that we were able to make their job just that much easier. The photographers on the project included Todd Meier, Brian Tietz, Christopher Shane, Andy Delisle, Bryan Meltz, Justin Clemons, Joe Vaughn, Josh Anderson, Drew Reynolds, Felix Sanchez, Alexander Zoltai, and Daymon Gardner – with some of them shooting more than one event.

As expected the events yielded some great pictures and memorable moments for our photographers. To give you an idea of the semifinals, imagine a combination of the classic “Newlywed Game,” MTV’s “Singled Out” and Nickelodeon’s “Double Dare.” Huge event spaces were decked out with Budweiser paraphernalia, open-Budweiser bars and a stage where groups of “buds” participated in competitions in front of a live audience and celebrity judges. The team with the most points at the end of each city’s event was then sent to the finals in Las Vegas.

Drew Reynolds

Our photographers were not only responsible for capturing the fast-paced event, but also for taking staged pictures of each group against a Budweiser background, otherwise known as a “step-and-repeat.” The extremely excited buds, dressed in outrageous outfits, made for great subjects.

Drew Reynolds

Drew Reynolds

When it came to the finals, the fun really began. Momentum selected Chicago-based Drew Reynolds to be their lead photographer to document the week-long competitions in Las Vegas. In addition to Drew, we asked Las Vegas-based Jared McMillen and Jacob Kepler along with Phoenix-based Andy DeLisle to help capture the excitement of the final series of competitions. In order to be deemed the ultimate champion, each team participated in a city-wide scavenger hunt where they were awarded points for being photographed in front of famous landmarks, including the “Welcome to Las Vegas” sign. They also competed in a NASCAR style race at the “Richard Petty Driving Experience,” a zipline run, and various obstacle courses.

Drew Reynolds

Drew Reynolds

In the end, “Team America” from Memphis, TN took home the grand prize. Band Of Buds was a great opportunity for us to work with the talented folks at Momentum and for our photographers to work on a memorable project. Momentum let us know that we’d made their jobs (and lives) easier. And in the end, the only thing we’d have done differently would have been to advise the photographers to bring towels to wipe the beer off of their lenses.

Drew Reynolds

If you’re interested in our production services, please visit our consulting page.

No More Mr. Nice Girl

Monday May 7th, 2012

T-Mobile recently decided it was time to give their brand, along with their well-known mascot Carly Foulkes, a refresh. The company wanted customers to “take a second look” at the brand and decided to add some edge to their new campaign. To do so, they called in Publicis Seattle who in turn, brought in photographer Caesar Lima to help bring their vision to life. Caesar—who describes his photography style as unique and dramatic—was the perfect shooter to bring out more of Carly’s edge. So, after some back and forth and some help from Wonderful Machine producer Craig Oppenheimer, Caesar and Publicis came to a deal. Soon after the estimates were approved, everyone got to work helping Carly ditch the good girl pink dresses in favor of a jet-black Ducati. The new slogan? No More Mr. Nice Girl.

For the campaign’s still shots, Publicis art buyer Pamela Vaska began her search for a photographer who could shoot strong females—superhero type beauties. Through her search she came across Caesar and loved his work, style, edge in his photographs and got in touch with him about the assignment. Caesar, of course, was quite excited by the chance to be a part of such a well-known, national campaign. According to him the project was very appealing,

The concept was the rebirth of Carly Foulkes, Carly 2.0, her “Alter Ego.” They wanted her to be dark and sensual (but tasteful). Carly, otherwise more commonly known as the T-Mobile girl, is one of the most easily recognized commercial characters today next to Flo from Progressive insurance and Mayhem from Allstate.

I was attracted to the freedom I had to make the lighting very dramatic and edgy. Also, I was very excited to shoot Carly. She has an amazing face and she’s a great model, super professional, which made my life much easier.

Caesar came prepared for the shoot with his ideas and concepts ready. A lot of planning and pre-production went into making the shoot go as smoothly as possible; they knew they would only have Carly available for a couple of days. When it actually came to shooting, Caesar stuck to his guns and photographed Carly the way he wanted: dark and dramatic,

The client kept asking to shoot lighter—more light on her face, less shadows. But we (the agency and I) kept firm, reassuring then that everything will be okay… and they loved at the end!

In the beginning I felt they were a little uncomfortable (we were shooting the body double) but when Carly came in and she looked amazing, they all got excited. It was such a good vibe, everybody was excited.

The images are now being used just about everywhere: print ads, billboards, web, brochures, and the new brand refresh is being discussed across the web. Caesar is pleased to see his work displayed in so many mediums and to be a part of such a recognizable campaign. He adds, “It’s an amazing feeling to be able to work with such creative people who allow you to do what you do best; that give you freedom and responsibility to do your job without interference. I’m blessed.”

View more of Caesar Lima’s work on his website, caesarlima.com.

- Maria Luci

Sunday Spotlight: 5/6/12

Sunday May 6th, 2012

 

« Newer Entries Older Entries »