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Austin Diary (GSD&M Idea City, Milkshake Media, McGarrah Jessee)

Tuesday April 26th, 2011

by Maria Luci

After our three Dallas portfolio events, we drove down I-35 to Austin. Along the way we passed a giant caterpillar building and the infamous town of Waco. As warned, it was a somewhat boring drive, but Jess and I kept it lively with discussions of our favorite movies and photographers and just about anything we could think of during the three-hour commute.

Once we made it to Austin, we headed straight for our photographers happy hour at The Grackle. We made it right on time at 8 pm. Of course, photographers have a different sense of time, so being one of the first ones there, Jess grabbed some tacos from a food cart next to the bar. I staked out a spot for us to sit. Soon enough we spotted Adam Voorhes and Matt Rainwaters and the merriment began.

Wonderful Machine Photographers at The Grackle in Austin

We had a great time with our Austin photographers and their significant others.  After we sat down, the boys of Public School, Jay B Sauceda and Casey Dunn, arrived and then the rest of the photographers trickled in. Almost all of our Austin photographers came to the happy hour, (which turned into several happy hours) where we discussed anything and everything. From A Photo Editor blog, to the 6th Street cowboy, to estimating, we chatted about it all. It was great to meet everyone in person, and we sure hit it off, but we eventually had to pull away and say goodnight. However, before leaving I made sure to grab some to-die-for snacks from the food cart in front of the bar.

After a good night’s sleep we ate breakfast and headed to our first Austin destination, GSD&M Idea City. Founded in 1971, GSDM is a leading advertising and branding agency with their main office in Austin and a satellite office in Chicago.  Notable GSD&M clients include Southwest Airlines, U.S. Air Force, American Red Cross and L.L. Bean.

Jess Dudley of Wonderful Machine at GSD&M

We walked into their large offices and admired their lobby’s décor, including a large ampersand and a wall of cowboy boots. We sat down and started flipping through magazines on the coffee table, where we came across a photo spread where our very own Casey Dunn and Jay B Sauceda were modeling! The article was about Public School style and had some great Jay B and Casey quotes.

Jay B Sauceda’s portfolio video:

Casey Dunn’s portfolio video:

Soon our escort arrived and started to lead us upstairs. As we were going, I ran into an old advertising college buddy, David. He now works at GSD&M as a copywriter. I soon found out there was a large number of VCU advertising alum at Idea City.

We set out a large spread of books over four tables and Whole Foods catering (the Whole Foods headquarters is right across the street). Our contact rounded up the troops and creatives started walking through and looking at the books. Many recognized the local Austin names as well as Stewart Cohen’s motion work. A lot of the creatives enjoyed playing with Adam Voorhes’ 3D promos and thumbing through Jody Horton’s iPad. Casey Dunn and Ryann Ford’s interior shots garnered some attention. Michael Thad Carter’s Willie Nelson was also a hit as well as Blake Gordon’s breathtaking landscapes.

Wonderful Machine portfolio review at GSD&M

Blake Gordon’s portfolio video:

After the snacks were munched, the portfolios thoroughly examined, and the room emptied out, we packed up the books and went in search of lunch. Austin is a hotbed of restaurants, food carts, and bars. It was overwhelming deciding where to eat but we finally chose Mighty Cone, a food cart on South Congress. It was a tasty treat, with everything served in a paper cone. We chowed down on fried avocado, French fries and more…all served in cones. Once satisfied, we still had a little time on our hands before our last two Austin reviews, so we browsed a couple of the South Congress shops until our meeting at Milkshake Media.

Milkshake is a “strategic branding and creative agency that specializes in building brands that build community.” Their clients include Populous, The Lance Armstrong Foundation, and Trek. Our first impression of Milkshake came from the sign hanging above their front door—a unique metal object with pink neon lights and an attractive patina. This vintage meets modern theme continued throughout their office, with polished concrete floors, refurbished neon signs and a lot of giant pastel letter m’s.

Milkshake Media Austin, TX Wonderful Machine Photography Review

We set up our books and started to discuss Milkshake’s photography needs. Their art producer and creative director let us know that most of their photography is lifestyle and portraiture oriented, but that didn’t stop them from enjoying Kevin Marple’s food shots. The CD said he was very familiar with Adam Voorhes’ 3D promo, as it’s his 3-year-old’s favorite office toy.

While we were chatting, we started hearing the popping of corks. The CD let us know that they were celebrating a new client. Jess and I got in on the celebration and were able to share a glass of Champagne. We enjoyed our conversations at Milkshake but soon after all the portfolios had been looked through and the glasses were empty, we had to pack up and said goodbye so we could head to our next meeting.

Our last Austin stop was at Advertising Age’s Southwest Agency of the Year, McGarrah Jessee. McGarrah Jessee has been getting a lot of attention lately for their creative work, interesting clients and beautiful new office building. We were excited to stop by the shop that created such notable advertising/branding work for clients like Shiner Beer and Whataburger.

We were invited by one of their art producers to come by for an end of the day review. We provided the books and snacks and they provided the Shiner (every style in fact). The meeting was a fun one, with a lot of creatives coming in and chatting about the photography. Everyone was into Matt Rainwaters’ Beardfolio, especially one bearded fellow who recognized many of the people pictured. He was actually heading off to Europe soon after for a beard competition. The group also enjoyed Matt’s “Party Terminator” leave behinds, saying it reminded them of a coworker (poor guy).

Wonderful Machine Photography Review at McGarrah Jessee

Most of the group was very into John Schulz’s still life, especially his beer photographs. Meanwhile, Jill Hunter’s serene summer porch photo caught the eye of one McGarrah creative, who stated that she’d love to relax on that porch.

After some Shiner, photography discussions, and some beard talk, we packed up and got ready to leave. Before leaving we got a tour of their stylish new office. Once an old bank, the designers had tried to stay true to the original styles and décor of the building, with vintage style furniture and colors. I felt like a character in Mad Men as we toured the agency.

Eventually we made our way out the door and headed out on the road again. This time to our final Texas stop, Houston!

Check back tomorrow to hear about the Houston portion of our trip.

What Do Deutsch and The New Yorker Have in Common?

Wednesday April 28th, 2010

Well, that we visited them last Thursday to show our photographers’ portfolios (and even a “beardfolio” — see towards the end of the post). Sean (our photo editor) and Amanda (producer) popped up to New York to share books, and this is what they had to say about the trip:

Our visit was a perfect microcosm of spring because it started out foggy, then brought warm sunshine at lunch, followed by an afternoon shower, and a big rainbow after the storm cleared.

The Deutsch agency (IKEA, VW, Unilever, etc.,etc.) might have one of the best skyline views in all of Manhattan (so stunning that we forgot to take a picture). From a comfortable conference room high up in Chelsea, we greeted creatives with morning staples: portfolios, coffee, and pastries. One of the art buyers was headed off to Prague the next day, so Sean shared some insider tips from when he lived there a few years ago.

Speaking of the travel bug, a number of people responded to New York photographer Evan Sklar’s eye for beautiful interiors and travel shots. Here’s a Youtube facsimile of his book:

One Deutsch creative director stood in the doorway and said, “I only have time to see four books; which ones should I look at?” After we shared some of our top choices, he ended up sticking around and looking through everything we’d brought. He shared his thoughts on a number of books, and mentioned how, on a recent campaign, a client was looking for a very realistic (ie. less fashion-lifestyle) take on Kids photography. They had a hard time finding the right photographer because many Kids photographers had too slick a look. He felt the Kids photo market could use a little more diversity in style.

We also showed Greg Vore‘s portfolio. He’s a fantastic Still Life shooter, handling product shots for Kate Spade and others, but he decided to showcase his Travel work this time instead. It was a treat to look through his portfolio from India, which showcases rickshaw drivers and their vehicles. It was especially interesting to see how his photographic style can translate among such different subject matter. Here’s Greg’s book:

[Note: though these first two portfolios happen to be from our New York photographers, we always show books from a range of locations/specialties from our photographers.]

After a quick lunch in midtown, we headed into the Condé Nast building to meet with a couple of The New Yorker’s picture editors. We shared a couple of photojournalistic, portraiture, and conceptual books, since the magazine covers such a variety of stories and is always looking for engaging work from passionate photographers. They explained how they’re very involved in the editing process, and prefer to meet with photographers personally to get to know their style and approach before committing to projects. Their hard work was just rewarded with a National Magazine Award for Best Photo Portfolio.

We showed Matt Rainwaters‘ book, too. He’s out of Austin and has some incredible images from his recent travels to Haiti, and an incredibly revealing series about inmates of the Texas Department of Justice, published in Esquire UK and Texas Monthly. And that’s on his “normal” portfolio. But the one we’d like to share here is his humorous “Beardfolio,” shot in Alaska last may during the world beard and mustache championships:

Another favorite was Andy Reynolds (based in Seattle), who has an eye for the odd, albeit with a technical and conceptual flair. His portfolio really drives home his offbeat aesthetic (we enjoy his shot of a woman whose hair is being sucked into a vacuum):

And that’s all we wrote, after a long day in the big city. We’ll have more trips to talk about soon, so stay posted.

-Amanda Hanley, Neil Binkley and Sean Stone

Breakdancing Bunny

Tuesday March 16th, 2010

I’m impressed with Cody Hamilton’s ability to create an image from scratch. Our Austin photographer just blogged about his breakdancing rabbit and DJ Bear shots, showing the different components that led to this final composite image:

Here are a few of the elements that he used to create it, including one of the stuffed animals:

The background plate that he retouched and extended:

And the first composite before he added a lot of convincing shadows to the bunny:

I thought his other image from the series turned out well, making for the hippest stuffed animal photos ever:

Cody’s inspiration was seeing his 2 yr. old daughter forcing her stuffed animals to dance around with her. Plus, he says it compensates for his failed attempts at breakdancing in college.

A few other composite shots from his portfolio (he assures me that he didn’t rent a giant, prop “X” for the following shots for an espresso chain called “XPRESD”):

I find that the detaills on these last three shots take a few viewings to fully appreciate:

You can see more work on his website: www.codyhamilton.us

-Neil Binkley

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