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CGI or Not

Thursday May 13th, 2010

In the days of CGI and movies like Avatar, I’m never surprised when image elements are created with 3D computer programs. In fact, I can’t always tell which is “real” and which is not. And so I present to you this test. Which of the following uses CGI, and which does not?

Image 1:

Bryan Traylor created these beer foam images for an Emerald Casino campaign.

Image 2:

Bruce Peterson’s image of this sponge boy was done for Abbott Nutrition ads.

ANSWERS

Image 1: No CGI employed. Bryan used relatively low-tech means to photograph the beer foam, aside from his sophisticated lighting and eye for detail. According to Traylor, who shoots out of South Africa:

The foam was made with Guinness beer foam. It was painted on the counter with a small paint brush by the art director. It is 100% real. And we did it in one take for each design. Whole shoot was like an hour long. And then we drank the Guinness afterwards.

Nice work. And good thing there was enough beer left over for the wrap party.

Image 2: Let’s ask the artist for this answer:

Sponge Boy was actually pretty straight photography, with only mild retouching, at least by our definition of mild. We researched sponge material, found some big sheets that come compressed, large flat sheets, about 1/8 of an inch thick, expanded to around 5/8 of inch when wet like a regular sponge. The agency provided the illustration and we had that negative space area laser cut into the flat sheets of foam, and then added water to expand the foam.

We used the positive shape from the negative space cutout for the “running boy.” That was a second shot on a white background so we would have flexibility on where to place him for different ad proportions. The little puddles of product in the negative space area were done as separate shots and dropped in later. When we shot the puddles we coated the edge of the sponge material with vaseline so the liquid wouldn’t get absorbed by the sponge material….

So this was more involved on the compositing side of things, but all of the elements were shot traditionally.

Okay, so this was a trick blog post. Neither campaign used CGI. I just thought that both campaigns were sophisticated enough that they could have. But at the end of the day, the concept is the most important part, no matter how the images are executed. Something to keep in mind when producing a shoot, too: some projects might work better with 3D, others may not.

-Neil Binkley

Photography For Urbanites, Adventurers, Gourmands, And Jocks

Wednesday October 28th, 2009

Martin Brent / England
Conceptual / Sports & Fitness / Action & Adventure / Still Life
www.martinbrent.com

Took his first photograph at age 5 (Big Ben). Didn’t become a passion of his until age 10 though.
Assisted for 7 or 8 years before taking on a solo career. Just won 1st place in IPA Awards for his
wild "Tree Divers" editorial, showing men literally diving from cliff side trees in Negril, Jamaica.

Sergio Ballivian / Denver
Action & Adventure / Sports & Fitness / Travel / Landscape
www.sergiophoto.com

Speaks fluent Spanish and English. A true explorer at heart, Sergio has traveled the world.
He even runs his own travel company out of Boulder, specializing in adventure tours of Bolivia
(where he grew up). Worked at National Geographic in the Photo Dept. in the 90′s.

Mateo Munoz / Colombia
Still Life / Food & Drink / Architecture
www.mateomunozphoto.com

Colombian native. Picked up photography when he moved to Mexico City, where he lived for
23 years. Later studied at Brooks Institute in Santa Barbara, CA. Did a stint in Los Angeles.
Recently returned to Colombia to shoot and teach. "Life is a journey," he likes to say.

David Torrence / St. Louis
Portraiture / Landscape / Music
www.davidtorrence.com

A transplant from Atlanta. David became interested in photography as a teen, while on a safari
in Tanzania. The camera that went to the top of Mt. Kilimanjaro is still part of his ever-growing
collection. Known for his punctuality. Also has a thing for watching professional tennis.

 

Our Photographer Attended High School With Marilyn Manson

Friday October 9th, 2009

Lincoln Barbour / Portland
Home & Garden / Still Life / Food & Drink / Architecture
www.lincolnbarbour.com

Rachel Hulin has a nice interview with Lincoln on her popular photography blog. Read the post
to see the grizzly bear skin rug wearing a fedora from Lebanon. In addition to what they discuss,
Lincoln enjoys traveling, cooking, running, cycling and snowboarding with his wife, Lauren.

Michael F. McElroy / Miami
Photojournalism / Portraiture / Corporate/ Landscape
www.mmcelroy.com

Not many people can say they went to high school with Marilyn Manson (Michael knew him as
the shy "Brian Warner"). Burn Magazine, curated by Magnum photographer David Alan Harvey,
recently showcased Michael’s emotional project about a family’s reaction to terminal cancer.

Aaron Kotowski / New York
Still Life / Corporate / Conceptual / Landscape
www.aaronkotowski.com

Communication Arts Photography Annual featured Aaron’s portrait of novelist Ross Campbell,
as posted on our blog. Aaron has a BFA in Photo-Illustration from R.I.T. When asked what his
hobbies are, he (half) jokes: "meeting client deadlines and delivering projects within budget."

Katherine Lambert / Washington DC
Corporate
www.katherinelambert.com

She’s owned 58 working cameras. As Katherine puts it, she "grew up in her daddy’s darkroom
in Memphis, Tennessee." She loves Elvis, Martin Luther King, white beer, and black-eyed peas.
Also boasts about making a mean pesto. She’s even done the Balinese Monkey Dance.

 

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